< KANSAS CITY SWING

Vinegar Tom

TO KILL A MOCKINGBIRD / ROMEO AND JULIET >

by Caryl Churchill
produced by Whistler in the Dark
at The Boston Centre for the Arts

photos: Meg Taintor, PJ Strachman

Director — Mac Young
Musical Arrangements — Veronica Barron and Tony Leva
Violence Choreography — John Robichau and Marcus Watson
Scenic Design — Mac Young
Costume Design — Emily Woods Hogue
Lighting Design — PJ Strachman

Something Churchill This Way Comes • The Hub Review

“…As you may have guessed by now, Vinegar Tom defies classification. But then Churchill was never one to value formal consistency for its own sake, and the Whistler production is so imaginative, forceful and focused that the rough joints and seams in her conception didn’t seem to matter much... The lion’s share of props, however, I feel must go to director and designer Mac Young, a protean talent on the fringe who actually built for this production (in a rehearsal hall of the BCA, no less) a full-sized, completely structural — though utterly off-kilter — house frame, whose raw joists make the perfect setting for the scrapes of Churchill’s script. Director Young and costumer Emily Woods Hogue have even dreamt up a trick by which Churchill’s witches are hanged, quite convincingly, before our horrified eyes (although they soon spring back to life for a disconcerting vaudeville routine)…”

Vinegar Tom

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The image depicts a theatrical performance on a stage with three actors. One woman in a white dress is sitting on a stool, appearing to be in a moment of dialogue or contemplation. A man is kneeling on the wooden floor, facing her, with one arm resti
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